In a clearing within Kauai Aadheenam’s lush gardens, the ping, ping, pinging of metal chipping at stone can be heard over the sounds of bird calls. A half-dozen artisans from South India put the finishing flourishes on the Hindu monastery’s legacy for the ages.
Hand-carved in granite and shipped in pieces to the island from India, the Iraivan Temple is faithful to the precise design formulas defined by South Indian temple builders a thousand years ago. The $8 million temple to the god Shiva is the first all-stone Hindu temple outside of India, according to the Kauai monks. The project is a rarity even in India.
The ranks of skilled Indian carvers have dwindled in recent centuries, as stone has yielded to concrete and steel. Design modifications in new temples outside India have become a necessity to make worship at the traditionally open-air spaces bearable during the winters in Canada or New York City.
Lush, tropical Kauai, known as Hawaii’s Garden Isle, doesn’t have that problem.
“Actually it’s the first all-stone temple made anywhere in quite a while. I think our architect in India said he’s made two in 50 years,” said Sannyasin Arumugaswami, a generously bearded monk enveloped in an orange cotton robe.
Construction began in 1990 and could take another 10 years to finish because of the mass of the structure and the skill needed to build it. The temple has already incorporated 80 shipping containers worth of stone and is surmounted by a gold-gilt cupola carved over three years by just four men.
Minimum stay is six months
The temple is the vision of a former ballet dancer and Californian who founded the monastery back in 1970, Satguru Sivaya Subramuniyaswami.
Subramuniyaswami, who died at 74 in 2001, embraced Hindu monasticism in the late 1940s. Today his Kauai monastery is home to 22 monks who spend their days in prayer at the monastery’s current Kadavul Temple, tending the monastery’s fruit orchards and livestock, or putting out the order’s quarterly publication “Hinduism Today.”
While many of the Kauai monks are converts, hailing from about six different countries, the order’s focus, as reflected in its stone temple, is on tradition.
And the rules here are strict.
While day-trippers are welcome, the monastery doesn’t allow the curious to try out monastic life for a few days or weeks. The minimum stay is six months. And all the monks are celibate, single and male. Once they take their permanent vows, they do not speak of their lives before the monastery.
“It’s like the institution was picked up in India and plopped down here ... Something our founder purposely tried to do is not dilute it or change it seriously because of where it is,” said Satguru Bodhinatha Veylanswami, the current guru and abbot of the monastery.
‘A significant presence in terms of building their temple’
Still, the ascetics’ traditional orange, yellow or white cotton robes and shaved or bearded appearances belie their modern savvy. These monks have cell phones, digital cameras, podcasts and widescreen computer monitors to put out their magazine, with a worldwide circulation of 15,000 print and 5,000 digital. The monastery’s Web site gets up to 40,000 hits a day.
“If you start searching Hinduism on the Web you come to us in a hurry,” said Arumugaswami, who is also managing editor of the monastery’s magazine.
And the monks also don’t entirely eschew outside society.
They have been deeply involved in community actions, which include helping design and print anti-drug bumper stickers they then donated to Kauai county, said state Sen. Gary Hooser, who lives near the monastery.
“They’re very good neighbors. ... They have a significant presence in terms of building their temple and the monks and the property they have there. But they manage that presence very well, so it’s very low key,” Hooser said.
‘The most beautiful Hawaiian environment possible’
The monastery’s partially constructed temple now stands at the edge of small valley that plunges down to the Wailua River, a pond and a few rushing waterfalls, and against a distant backdrop of soaring green mountains. Complete with tropical flowers and other plants — some purchased from the National Tropical Botanical Garden headquartered on Kauai — the monastery’s landscaped gardens are awe-inspiring.
“Part of the object is to place the temple in just the most beautiful Hawaiian environment possible,” said Arumugaswami, explaining that the temple’s surroundings are a “natural” temple.
Among the primary tenets of the order — which has about 8,000 temple supporters and several hundred close disciples — is the belief that Shiva is in everything and everyone. The goal is to understand one’s oneness with Shiva, and therefore be freed from the eternal cycle of death and rebirth into the physical world.
Subramuniyaswami left specific instructions for the new temple’s construction. No machinery may be used to cut the stone, which he believed would destroy the stone’s “song.” Machines are only used to lift some of the larger stones into place. The guru also required that the temple be built without debt, prompting a fundraising campaign that has so far raised $10 million toward its goal of $16 million, half of which would be set aside as a maintenance endowment.
‘Why we go through so much trouble’
The building still awaits part of its roof and its lava rock base that will be an homage to the design of sacred Hawaiian heiaus, ancient stone platforms used for worship in the islands. And the 700-pound crystal lingam — a symbol of the god Shiva — now housed in the monastery’s Kadavul Temple has yet to be installed in the new temple’s inner sanctum.
But the building began to spiritually “wake up” during a ceremony held last year.
“The way that we look at a temple in Hinduism is that the temple itself is a form of God. And so it is divine. It’s not just a building. That’s why we go through so much trouble to build it,” Arumugaswami said.
That attention shows in the narrative and decorative details throughout the structure. Twenty-four pillars feature bas-relief allegorical images of Hindu teachings. On one are two turtles, one with its legs extended and another retracted into its shell to symbolized the withdrawal of one’s senses during meditation. Another shows an archer, to illustrate karma and how destiny is made up of choices and actions.
But not all of its details are filled with clear spiritual meaning, such as the stone balls that are skillfully carved from and can be rolled freely inside the toothy mouths of guardian lions outside the inner sanctum.
“It’s considered good luck to roll it around,” said Arumugaswami with a laugh as he as he deftly swished a ball. “Don’t ask me why.”
